Editors’ Introduction: The Lab of Thought

Conversations • Collaborations • Confluences

Roundtable Interview: Anne Breimaier, Ken Eisenstein, André Habib, Bruce Jenkins, Giles Fielke, Olga Kobryn, Mike Zryd, Curiouser and curiouser: Into the rabbit hole(s) of Hollis Frampton scholarship

Marie Rebecchi, Introduction to Bruce Jenkins

Bruce Jenkins in conversation with Olga Kobryn and Swann Rembert, Encountering Frampton

Anne Breimaier, Interview with Kasper König

Katy Martin, An Interview with Bob Huot about his Friendship with Hollis Frampton

Bill Brand, Hollis Frampton in the Mix                                                                                                                           

Frampton and Cie

Ken Eisenstein, “Lacing a Terrain”: Hollis Frampton’s Knockout Layouts

André Habib, Epics of Re-use: Hollis Frampton and Early Cinema

Swann Rembert, “JB after HF”: Emprunts, résonances, copie

Metahistories Revisited

Toni D’Angela, Frampton before Zorns: La superficie di tensione tra audio e visione

Pedro Florêncio, Sobre Informacion (1966), de Hollis Frampton

Figures of Style: Film and the Other Arts

Érik Bullot, Figures de style

Giles Fielke, Unprepossessing Apostrophes: Joyce, Frampton, and the Spectre of Narrative

Rebecca A. Sheehan, Unfolding a Tesseract: Sculpture, Cinematic Plasticity and Frampton’s Inventive Eye

Film and its Politics 

Jeremy Meckler, For a Metahistory of Film Studies: On Hollis Frampton’s Metahistory and the Development of Film Pedagogy at SUNY at Buffalo

Olga Kobryn,The artist-run Film Lab : film and its politics 

New Technologies

Clint Enn, Circumnavigating Frampton’s Magellan: Charting a Self-Conscious Cinema

Fern Silva, Critical Mass and the Age of the Prompt

Miriam Ouertani, Le film comme dispositif techno-sémiotique : Hollis Frampton et la genèse computationnelle de l’image en mouvement?

Edited by Toni D’Angela, Bruce Jenkins, Olga Kobryn