C’è sempre stato come un vizio di forma nei film di Paul Thomas Anderson. Da un lato (nell’accezione più forte di “vizio di forma”) una tendenza a debordare i confini del racconto, a catastrofare la narrazione e piegare i personaggi, che in Inherent Vice (Vizio di forma, 2014, tratto dal romanzo omonimo di Thomas Pynchon) […]
Toni D'Angela
LFU/42 - Toni D'Angela
TONI D’ANGELA / Entretien avec Joe Dante
Vos films mettent souvent en scène des enfants dont l’univers se forge autour des images qu’ils voient à la télévision, souvent abandonnés devant elle par leurs parents. A quoi ressemblait votre propre enfance ? Comportait-elle aussi des greniers, des sous-sols, des vaisseaux spatiaux et des monstres ? Il y avait effectivement des greniers et des sous-sols. Les […]
NICOLE BRENEZ & TONI D’ANGELA / Conversation with Monte Hellman
(Toni D’Angela). When and how have you started to love cinema? (Monte Hellman). My parents started taking me to movies when I was five. They also took me to the theatre, including magic shows. I don’t remember when I started to differentiate between them. I remember the thrill of the curtain going up – the […]
TONI D’ANGELA / Budetjiane
LFU has often been a wild bunch. We have always been borderline, in–between, trans-fugitive. We have always liked to cross borders and engage crossbreeding, like Donna Haraway’s coyote. Disrupting the rules of the academic game by opening the window to let in the warm and muddy wind of cinephilia. And, at the same time, we […]